Since the early 1970’s Paul Kos’s work has challenged conventions of art media and subject matter. For a global audience, he staged new possibilities for artistic treatments of time, space and cultural systems. Kos, one of the founders of the Bay Area conceptual movement, has exhibited internationally and has work represented in major museum collections including New York’s MoMA, the San Diego Museum of Contemporary Art, SFMoMA, and the Stedelijk Museum, Amsterdam.
In San Francisco for about six months, I religiously practiced pool. NY Pool Hustle in 1972 was a live performance at the Reese Palley Gallery in NYC.
In New York, I went to the billiard hall where the film, The Hustler, was shot with Paul Newman and Jackie Gleason as Fast Eddy and Minnesota Fats. At the reception desk, I asked who was the best player there at the time, the receptionist gave me an evil stare but looked at a fellow in a white suit sitting near a pool table. I went over to him, and said, ‘there is a Rolls Royce waiting downstairs and a pool table in a gallery and if you would play me, the gallery would pay for my losses.’ He went to a locker, took out a small case with a three-piece cue and we went off to the gallery. He commented that his cue cost more than the table. This man in a white suit, looking like Thomas Wolfe, proceeded to beat me game after game, sometimes running the table, not giving me even one shot. He kept uttering that he could have been a psychiatrist given the time it took to play so well.