Marc Horowitz
The Qualitative Validation Principle

November 9 – December 21, 2019
Reception: November 9, 5-8 pm

 

Ever Gold [Projects] presents The Qualitative Validation Principle, Marc Horowitz’s second solo exhibition with the gallery. The paintings and drawings on view extend the forensic system Horowitz began developing after visiting the Roman ruins in Milreu, Portugal, which inspired him to restage previously abandoned works using archeological motifs.

Within Horowitz’s oeuvre, TQVP constitutes a dark chapter that explores the color palette he has used since his days as a Bay Area performance artist in the early 2000s. Long veering between various comedic roles, Horowitz has settled on something mute like Harpo Marx, deadpan in the way only an image could be: a dissected tableaux vivant where the lifelike turns against the abstract and serialized, where the counterpoint between organic and artificial forms becomes unsettled.

Large, blackened canvases are spread throughout the exhibition space while towering monochromatic paintings cut them into a 3-dimensional grid. Ashen figures, burned into the black canvases, suggest skeletal impressions, the arboreal and humanoid remnants of an in-progress experiment. Testing the range of his impulses, Horowitz questions the degree of change, discordance, and ambiguity a body of work can withstand. How, for example, can improvisation and performativity rest within a system in which color and format, material and size are predetermined?

TQVP is at times a painterly Rorschach test that asks the viewer to inhabit decisions made by the artist to expose the detritus of his own jokes, but it also seems like something or someone decided to go off script along the way. Or, that an off-color joke, though aborted, continues to make appearances, to refer to a glyph or key which would unlock deeper meanings if it were available. Alas, some mysteries remain precisely within the surface on which they were inscribed, alluding to and denying their secret in the same gesture.

 

Please contact info@nullevergoldprojects.com with any inquiries.

PDF copy of press release available here

 

Marc Horowitz (b. 1976) lives and works in Los Angeles. His aesthetic practice spans photography, sculpture, painting, installation, video, and performance. A Creative Time Project Grant Awardee, Horowitz has taught at the University of Southern California, the University of California, Santa Barbara, and Otis College, and lectured at the California Institute of the Arts (CalArts), the Hammer Museum, Stanford University, and Yale. Recent exhibitions include: Jonathan Hopson, Houston; Johannes Vogt, New York; Bank Gallery, Shanghai; Ever Gold [Projects], San Francisco; COMA Gallery in Sydney, Australia; Mannerheim Gallery, Paris; China Art Objects, Los Angeles; and the Depart Foundation, Los Angeles.

 

 

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Reel 305, 2019. Pro Tapes Pro-Artist Artist Tape (red), Lee Filter 025 Sunset Red film gel, inkjet print on transparency, and acrylic marker on Stonehenge paper, 30 x 22 inches.

 

 

PSUU, 2019. Flashe, gouache, and emulsified gesso on linen/canvas blend over wood panel, 26.5 x 5.5 x 0.75 inches.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

PSHH, 2019. Flashe, gouache, and emulsified gesso on linen/canvas blend over aluminium strainer, 108 x 7 x 1.5 inches.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

When there is not a border to chaotic activity, when everyone could do what he wants –– dying too, murdering, all these things [TQVP], 2019. Pigment dispersion with liquid vinyl binder, cannon fuse residue, oil, oil stick, charcoal, aphid “honeydew,” and emulsified gesso on linen/canvas blend, 65 x 45 inches.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

PSII, 2019. Flashe, and emulsified gesso on linen/canvas blend over aluminium strainer, 72 x 10.5 x 1.5 inches.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Only two alternatives exist, compulsion or sacrifice [TQVP], 2019. Pigment dispersion with liquid vinyl binder, cannon fuse residue, oil, oil stick, charcoal, graphite, and emulsified gesso on linen/canvas blend, 65 x 45 inches.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Installation view, The Qualitative Validation Principle, Marc Horowitz at Ever Gold [Projects], San Francisco, 2019.

 

 

Aesthetics is the human being in itself [TQVP], 2019. Pigment dispersion with liquid vinyl binder, cannon fuse residue, oil, oil stick, charcoal, and emulsified gesso on linen/canvas blend, 65 x 45 inches.