Mieke Marple and Christine Wang
January 9 – February 24, 2018
Opening Reception, Saturday, January 13, 5-8pm
Tarot decks available by each artist here
Listen to a panel discussion about the exhibition, which happened at UNTITLED, SF, 2018.
“The origins of the Tarot are so veiled in the mists of time that it is only natural for myths and legends to surround it. Superstition, flights of fancy, and speculation have added their own patterns to the rich and colorful tapestry of Tarot lore and have only deepened its aura of magic and mystery. Cults have grown up around one or another historical theory, and sometimes their adherents have become fanatical in proclaiming the one and only “truth.” But the better-informed investigators retain a certain amount of flexibility—even skepticism—and make no ironclad assertions.
The truest claim we can make is that the Tarot is a symbolic record of human experience.”
The earliest tarot cards that survive today were used as playing cards by Italian nobles in the late 14th century. It wasn’t until the 19th century, when French occultists connected tarot imagery back to ancient Egypt, that the cards became used for divination. The Rider Waite Smith deck, which debuted in 1909, was the first deck to be mass-produced in English and remains the most popular today. It was intended for fortune telling rather than gameplay and is the deck on which Wang and Marple base their cards. Wang’s deck, Crystal Clear Tarot, defies the interpretative tradition of tarot through its inclusion of unambiguous and satirical text. Marple’s deck, Art World Tarot, features a network of art world compatriots within a world of minimal, black and white symbolism. The exhibition at Ever Gold [Projects] will feature drawings and paintings from each artist’s seventy-eight card deck.
Christine Wang (b. 1985, Washington D.C.) is an artist living and working in San Francisco. Wang received her BFA from The Cooper Union for the Advancement of Art and Science in 2008 and her MFA in painting from UCLA in 2013. Wang also attended the Central Academy of Fine Arts, Mural Painting department for two semesters in 2006. Solo and two-person exhibitions include Crypto Rich at Galerie Nagel Draxler Kabinett (Berlin, 2018); Relocation Tarot at Ever Gold [Projects] (San Francisco, 2018); Actions Speak Louder Than Fonts at Galerie Nagel and Draxler (Berlin, 2017); Gaseous Abstraction with Kelley Lowe at the Hamad Bin Khalifa University Student Center Gallery; Devotional Art for Your Home at Night Gallery (Los Angeles, 2016); and I Want That Bag at Night Gallery (Los Angeles, 2014). Selected group exhibitions include The Privilege Show at Control Room (Los Angeles, 2013), Pushing Painting Paradigms at Rutgers University (New Brunswick, 2012), Shock and Awe at Gatov Gallery (Long Beach, 2010), and California State University Long Beach (2009). Selected exhibition venues include the Prince Street Gallery, Black Box, Control Room, and Swap Meet at High Desert Test Sites in Joshua Tree. Wang is an Assistant Professor in Painting at California College of the Arts in San Francisco. Mieke Marple (b. 1986, Mountain View, CA) received her B.A. from the University of California, Los Angeles in 2008. She was co-owner of Night Gallery, Los Angeles, from 2011 until 2016, and has been written about by The New York Times and W Magazine, among other publications. In 2012, Marple produced the web series Feast of Burden, directed by filmmaker Eugene Kotlyarenko and distributed by MOCAtv. In 2014, she also co-founded the “Sexy Beast Benefit for Planned Parenthood LA,” and remains on the organization’s advisory board. Recent exhibitions include Gold Standard at Ever Gold [Projects] (San Francisco, 2019); The Internet Archive’s 2018 Artist In Residence Exhibition at Ever Gold [Projects] (San Francisco); and Relocation Tarot (2018) at Ever Gold [Projects] (San Francisco). Forthcoming solo exhibitions include 1301PE (Los Angeles) and Ever Gold [Projects], both in 2019. Marple lives and works in San Francisco.
 Gray, Eden. A Complete Guide to the Tarot. New York: Crown Publishers, Inc., 1970.